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Switched on Pop

Vox

795
Followers
3.0K
Plays
Switched on Pop

Switched on Pop

Vox

795
Followers
3.0K
Plays
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About Us

Best Arts & Culture podcast Webby 2020 winner about the making and meaning of popular music. Musicologist Nate Sloan & songwriter Charlie Harding pull back the curtain on how pop hits work magic on our ears & our culture. You’ll fall in love with music you didn’t even know you liked.

Latest Episodes

Mickey Guyton sings truth to Country Music

EMickey Guyton spent a decade of fits and starts trying to make a career in country music. But now in recent months she’s having a country music moment releasing vulnerable songs that use her experiences of rejection, exclusion and racism as inspiration. Charlie speaks with Guyton about her breakout songs “What Are You Gonna Tell Her?” and “Black Like Me,” as well as what it took for her to make it onto one of country musics most beloved stages, the American Country Music Awards. Songs Discussed Mickey Guyton - What Are You Gonna Tell Her Dolly Parton, Kenny Rogers - Islands In the Stream Dolly Parton - Coat of Many Colors Mickey Guyton - Safe (Acoustic) Mickey Guyton - Heartbreak Song Mickey Guyton - Why Baby Why Mickey Guyton - Better Than You Left Me Mickey Guyton - Black Like Me Learn more about your ad choices. Visit megaphone.fm/adchoices

55 min1 d ago
Comments
Mickey Guyton sings truth to Country Music

Disclosure: Where Energy Flows

EHoward and Guy Lawrence, the brothers behind Disclosure, found global acclaim in 2012 with their song “Latch” ft. Sam Smith which blended house and dubstep in a doo-wop time signature. Since, they have collaborated with many of pop’s most sought after vocalists (The Weeknd, Lore and Khalid to name a few) in an ever evolving vision of dance music. On their latest album release, “Energy,” Disclosure channels sounds and samples from the global south. Listen to find out how they make the energy flow. Survey We are conducting an audience survey to better serve you. It takes no more than five minutes, and it really helps out the show. Please take our survey here:voxmedia.com/podsurvey. Learn more about your ad choices. Visit megaphone.fm/adchoices

40 min1 w ago
Comments
Disclosure: Where Energy Flows

THE 5TH — MOVEMENT IV, What Beethoven Would Have Wanted

When we listen closely to the Fifth, we hear a testament to self-expression and determination. Which means that we get to decide how to honor this symphony today, whether that means taking a break from Beethoven to commission new works from underrepresented composers, bringing new audiences into the fold by staging concerts in communities outside of the concert hall, or re-writing Beethoven’s works to make them reflect our present moment. Featuring: Anthony McGill, Clarinet Andrea Moore, Musicologist Deborah Borda, CEO and President David Lang, Composer Jaap van Sweden, Conductor Leelanee Sterett, Horn Sherry Sylar, Oboe Music Featured: Carlos Simon, Loop Talia Leon, Stride David Lang, Prisoner of the State Recoding of Beethoven Symphony 5 by the New York Philharmonic conducted by Jaap van Sweden used by permission from Decca Gold. Learn more about your ad choices. Visit megaphone.fm/adchoices

31 min1 w ago
Comments
THE 5TH — MOVEMENT IV, What Beethoven Would Have Wanted

THE 5TH — MOVEMENT III, Putting the Classism in Classical

Before Beethoven’s time, classical music culture looked and sounded quite different. When Mozart premiered his Symphony 31 in the late 1700s, it was standard for audiences to clap, cheer, and yell “da capo!” (Italian for “from the beginning!”) in the middle of a performance. After Beethoven’s Fifth Symphony debuted in the early 1800s, these norms changed — both because the rising industrial merchant class took ownership of concert halls and because of shifts in the music itself. As we explored in episodesIandIIof theSwitched On Poppodcast seriesThe 5th, the musical complexity of Beethoven’s symphony required a different kind of listening. The Fifth’s four-note opening theme occurs and recurs in variations throughout the symphony, slowly shifting from minor to major keys and mirroring Beethoven’s experience with deafness. The Fifth’s creative rule-breaking — subverting the classical sonata form in the first movement, for example — requires close listening to fully grasp....

32 min2 w ago
Comments
THE 5TH — MOVEMENT III, Putting the Classism in Classical

THE 5TH — MOVEMENT II, From Struggle to Victory

In the first movement of his famous symphony, Beethoven sets up a battle between hope and despair. The dark side of that spectrum is represented by the anguished opening notes of the first movement: DUN DUN DUNNN. Over the course of the next three movements, Beethoven keeps trying to overcome his dark fate with bright major melodies, and keeps getting defeated. With each high and low, we begin to understand that this battle isn't just about major and minor keys, it's about the will to live in the face of adversity. How do you perform such an emotional rollercoaster? We talk to the members of the New York Philharmonic about what it's like to sound a symphony whose stakes are life and death. Jaap van Zweden, Conductor Leelanee Sterrett, Horn Kyle Zerna, Percussion Frank Huang, Violin Anthony McGill, Clarinet Sherry Sylar, Oboe Recording of The New York Philharmonic performing Beethoven’s Symphony No. 5 conducted by Jaap van Zweden used by permission from Decca Gold. Hear new episodes...

28 min2 w ago
Comments
THE 5TH — MOVEMENT II, From Struggle to Victory

THE 5TH — MOVEMENT I, A Battle Brewing

You know Beethoven’s Fifth Symphony. You’ve heard it in films, advertisements, parodied in Saturday morning cartoons and disco-ized in Saturday Night Fever. The Fifth Symphony is a given, so much so that it blends into the background. You know this piece, but how well? Of all the symphonies of the bewigged classical "greats," why is this one still stuck in our heads over two centuries later? To answer these questions, we’re giving Beethoven’s famous symphony the same treatment we give to pop songs. And we’re doing so with the help of an orchestra that’s been performing this piece since 1842, the New York Philharmonic. In Movement I, we hear how the famous opening notes of the symphony aren't just melody: they’re the main character in a drama that will unfold over four movements. Featuring: Frank Huang, Violin Anthony McGill, Clarinet Sherry Sylar, Oboe Recording of The New York Philharmonic performing Beethoven’s Symphony No. 5 conducted by Jaap van Zweden used by permission...

27 min3 w ago
Comments
THE 5TH — MOVEMENT I, A Battle Brewing

Announcing THE 5TH with The New York Philharmonic

A podcast mini-series in IV movements explaining and reconsidering Beethoven’s game-changing symphony. Episodes air Tuesdays & Fridays starting Sept 8th. Learn more about your ad choices. Visit megaphone.fm/adchoices

1 min3 w ago
Comments
Announcing THE 5TH with The New York Philharmonic

The Resistance is Dancing in the Streets (ICYMI)

EOur Switched on Summer Throwback Series continues with “Dancing in the Street,” the 1964 Motown hit by Martha and the Vandellas that was co-written by none other than Marvin Gaye. Over 50 years and countless covers later, we explore how this song still manages to get people off their feet and onto the streets—not just to dance, but also to raise their voices in joy, catharsis, and protest. SPONSOR We use Reason Studios to make music on Switched On Pop. You can use Reason too free for 30 days: http://reasonstudios.com/onpop SONGS DISCUSSED Martha and the Vandellas – Dancing in the Street Marvin Gaye – Stubborn Kind of Fellow The Mamas and the Papas – Dancing in the Street The Grateful Dead – Dancing in the Street Van Halen – Dancing in the Street Mick Jagger and David Bowie – Dancing in the Street Kendrick Lamar – Alright Pharrell Williams – Happy Learn more about your ad choices. Visit megaphone.fm/adchoices

32 minSEP 1
Comments
The Resistance is Dancing in the Streets (ICYMI)

Benee and the Art of the Sad Banger

EHow does it feel to become a global pop star under lockdown? Benee’s “Supalonely” had been out for over 5 months when in March of 2020, it quickly became the second most popular song on TikTok. The song’s hook “I’ve been lonely… Supalonely” clearly reflected a global collective malaise about the pandemic—and people wanted to dance to it. She wrote this “sad banger” to help get over a breakup. And now the song changed her life. Not along before she’d dropped out of college to make music while working at a pizza place. Her first EP had found an audience in her home country, New Zealand. Now, with her TikTok success Benee has ascended the top 100 in 30 countries. All of this happened from the solitude of her childhood bedroom, where like so many people, she’s taking zoom calls all day. She tells Switched On Pop about using levity to overcome personal difficulty and what’s like to achieve global recognition from home. Learn more about your ad choices. Visit megaphone.fm/ad...

28 minAUG 26
Comments
Benee and the Art of the Sad Banger

90s Music Canon

Matt Daniels, editor of the publication The Pudding, wanted to find out what songs from his youth would last into the future. So he designed a study that would test if Gen-Z had a grip on 90s culture. Hundreds of thousands of participants provided over 3 million data points. Daniels parsed through the data for insights. Sadly, the majority of his most beloved songs have not survived even one generation. Though most had been forgotten, he found that just a few songs had staying power across generations — what he defined as the emerging 90s music canon. Find out what songs make it and which have fallen to the wayside. MORE The Pudding’s study on Defining the 90s Canon Take The Pudding’s quiz yourself SONGS DISCUSSED Spice Girls - Wannabe Mariah Carey - Fantasy! Lou Bega - Mambo #5 Los Del Rio - Macarena Boys II Men - Motown Philly Whitney Houston - I Will Always Love You Savage Garden - I Want You The Barenaked Ladies - One Week Jewel - You Were Meant For Me Jennifer Lopez - If You...

38 minAUG 18
Comments
90s Music Canon

Latest Episodes

Mickey Guyton sings truth to Country Music

EMickey Guyton spent a decade of fits and starts trying to make a career in country music. But now in recent months she’s having a country music moment releasing vulnerable songs that use her experiences of rejection, exclusion and racism as inspiration. Charlie speaks with Guyton about her breakout songs “What Are You Gonna Tell Her?” and “Black Like Me,” as well as what it took for her to make it onto one of country musics most beloved stages, the American Country Music Awards. Songs Discussed Mickey Guyton - What Are You Gonna Tell Her Dolly Parton, Kenny Rogers - Islands In the Stream Dolly Parton - Coat of Many Colors Mickey Guyton - Safe (Acoustic) Mickey Guyton - Heartbreak Song Mickey Guyton - Why Baby Why Mickey Guyton - Better Than You Left Me Mickey Guyton - Black Like Me Learn more about your ad choices. Visit megaphone.fm/adchoices

55 min1 d ago
Comments
Mickey Guyton sings truth to Country Music

Disclosure: Where Energy Flows

EHoward and Guy Lawrence, the brothers behind Disclosure, found global acclaim in 2012 with their song “Latch” ft. Sam Smith which blended house and dubstep in a doo-wop time signature. Since, they have collaborated with many of pop’s most sought after vocalists (The Weeknd, Lore and Khalid to name a few) in an ever evolving vision of dance music. On their latest album release, “Energy,” Disclosure channels sounds and samples from the global south. Listen to find out how they make the energy flow. Survey We are conducting an audience survey to better serve you. It takes no more than five minutes, and it really helps out the show. Please take our survey here:voxmedia.com/podsurvey. Learn more about your ad choices. Visit megaphone.fm/adchoices

40 min1 w ago
Comments
Disclosure: Where Energy Flows

THE 5TH — MOVEMENT IV, What Beethoven Would Have Wanted

When we listen closely to the Fifth, we hear a testament to self-expression and determination. Which means that we get to decide how to honor this symphony today, whether that means taking a break from Beethoven to commission new works from underrepresented composers, bringing new audiences into the fold by staging concerts in communities outside of the concert hall, or re-writing Beethoven’s works to make them reflect our present moment. Featuring: Anthony McGill, Clarinet Andrea Moore, Musicologist Deborah Borda, CEO and President David Lang, Composer Jaap van Sweden, Conductor Leelanee Sterett, Horn Sherry Sylar, Oboe Music Featured: Carlos Simon, Loop Talia Leon, Stride David Lang, Prisoner of the State Recoding of Beethoven Symphony 5 by the New York Philharmonic conducted by Jaap van Sweden used by permission from Decca Gold. Learn more about your ad choices. Visit megaphone.fm/adchoices

31 min1 w ago
Comments
THE 5TH — MOVEMENT IV, What Beethoven Would Have Wanted

THE 5TH — MOVEMENT III, Putting the Classism in Classical

Before Beethoven’s time, classical music culture looked and sounded quite different. When Mozart premiered his Symphony 31 in the late 1700s, it was standard for audiences to clap, cheer, and yell “da capo!” (Italian for “from the beginning!”) in the middle of a performance. After Beethoven’s Fifth Symphony debuted in the early 1800s, these norms changed — both because the rising industrial merchant class took ownership of concert halls and because of shifts in the music itself. As we explored in episodesIandIIof theSwitched On Poppodcast seriesThe 5th, the musical complexity of Beethoven’s symphony required a different kind of listening. The Fifth’s four-note opening theme occurs and recurs in variations throughout the symphony, slowly shifting from minor to major keys and mirroring Beethoven’s experience with deafness. The Fifth’s creative rule-breaking — subverting the classical sonata form in the first movement, for example — requires close listening to fully grasp....

32 min2 w ago
Comments
THE 5TH — MOVEMENT III, Putting the Classism in Classical

THE 5TH — MOVEMENT II, From Struggle to Victory

In the first movement of his famous symphony, Beethoven sets up a battle between hope and despair. The dark side of that spectrum is represented by the anguished opening notes of the first movement: DUN DUN DUNNN. Over the course of the next three movements, Beethoven keeps trying to overcome his dark fate with bright major melodies, and keeps getting defeated. With each high and low, we begin to understand that this battle isn't just about major and minor keys, it's about the will to live in the face of adversity. How do you perform such an emotional rollercoaster? We talk to the members of the New York Philharmonic about what it's like to sound a symphony whose stakes are life and death. Jaap van Zweden, Conductor Leelanee Sterrett, Horn Kyle Zerna, Percussion Frank Huang, Violin Anthony McGill, Clarinet Sherry Sylar, Oboe Recording of The New York Philharmonic performing Beethoven’s Symphony No. 5 conducted by Jaap van Zweden used by permission from Decca Gold. Hear new episodes...

28 min2 w ago
Comments
THE 5TH — MOVEMENT II, From Struggle to Victory

THE 5TH — MOVEMENT I, A Battle Brewing

You know Beethoven’s Fifth Symphony. You’ve heard it in films, advertisements, parodied in Saturday morning cartoons and disco-ized in Saturday Night Fever. The Fifth Symphony is a given, so much so that it blends into the background. You know this piece, but how well? Of all the symphonies of the bewigged classical "greats," why is this one still stuck in our heads over two centuries later? To answer these questions, we’re giving Beethoven’s famous symphony the same treatment we give to pop songs. And we’re doing so with the help of an orchestra that’s been performing this piece since 1842, the New York Philharmonic. In Movement I, we hear how the famous opening notes of the symphony aren't just melody: they’re the main character in a drama that will unfold over four movements. Featuring: Frank Huang, Violin Anthony McGill, Clarinet Sherry Sylar, Oboe Recording of The New York Philharmonic performing Beethoven’s Symphony No. 5 conducted by Jaap van Zweden used by permission...

27 min3 w ago
Comments
THE 5TH — MOVEMENT I, A Battle Brewing

Announcing THE 5TH with The New York Philharmonic

A podcast mini-series in IV movements explaining and reconsidering Beethoven’s game-changing symphony. Episodes air Tuesdays & Fridays starting Sept 8th. Learn more about your ad choices. Visit megaphone.fm/adchoices

1 min3 w ago
Comments
Announcing THE 5TH with The New York Philharmonic

The Resistance is Dancing in the Streets (ICYMI)

EOur Switched on Summer Throwback Series continues with “Dancing in the Street,” the 1964 Motown hit by Martha and the Vandellas that was co-written by none other than Marvin Gaye. Over 50 years and countless covers later, we explore how this song still manages to get people off their feet and onto the streets—not just to dance, but also to raise their voices in joy, catharsis, and protest. SPONSOR We use Reason Studios to make music on Switched On Pop. You can use Reason too free for 30 days: http://reasonstudios.com/onpop SONGS DISCUSSED Martha and the Vandellas – Dancing in the Street Marvin Gaye – Stubborn Kind of Fellow The Mamas and the Papas – Dancing in the Street The Grateful Dead – Dancing in the Street Van Halen – Dancing in the Street Mick Jagger and David Bowie – Dancing in the Street Kendrick Lamar – Alright Pharrell Williams – Happy Learn more about your ad choices. Visit megaphone.fm/adchoices

32 minSEP 1
Comments
The Resistance is Dancing in the Streets (ICYMI)

Benee and the Art of the Sad Banger

EHow does it feel to become a global pop star under lockdown? Benee’s “Supalonely” had been out for over 5 months when in March of 2020, it quickly became the second most popular song on TikTok. The song’s hook “I’ve been lonely… Supalonely” clearly reflected a global collective malaise about the pandemic—and people wanted to dance to it. She wrote this “sad banger” to help get over a breakup. And now the song changed her life. Not along before she’d dropped out of college to make music while working at a pizza place. Her first EP had found an audience in her home country, New Zealand. Now, with her TikTok success Benee has ascended the top 100 in 30 countries. All of this happened from the solitude of her childhood bedroom, where like so many people, she’s taking zoom calls all day. She tells Switched On Pop about using levity to overcome personal difficulty and what’s like to achieve global recognition from home. Learn more about your ad choices. Visit megaphone.fm/ad...

28 minAUG 26
Comments
Benee and the Art of the Sad Banger

90s Music Canon

Matt Daniels, editor of the publication The Pudding, wanted to find out what songs from his youth would last into the future. So he designed a study that would test if Gen-Z had a grip on 90s culture. Hundreds of thousands of participants provided over 3 million data points. Daniels parsed through the data for insights. Sadly, the majority of his most beloved songs have not survived even one generation. Though most had been forgotten, he found that just a few songs had staying power across generations — what he defined as the emerging 90s music canon. Find out what songs make it and which have fallen to the wayside. MORE The Pudding’s study on Defining the 90s Canon Take The Pudding’s quiz yourself SONGS DISCUSSED Spice Girls - Wannabe Mariah Carey - Fantasy! Lou Bega - Mambo #5 Los Del Rio - Macarena Boys II Men - Motown Philly Whitney Houston - I Will Always Love You Savage Garden - I Want You The Barenaked Ladies - One Week Jewel - You Were Meant For Me Jennifer Lopez - If You...

38 minAUG 18
Comments
90s Music Canon
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